Well, I finished reading Henry IV Part 1 on Saturday, and then I finished Chimes at Midnight on Sunday. Well, I didn't finish the entire film, but I watched as much of it as was relevant to only the first part of the play. Apparently Chimes at Midnight is a culmination of Henry IV, Part 1, Part 2 and the first bit of Henry V. As much as I would've like to watch how the story ended, I just got bored. And I'm not saying it was entirely the movie's fault, but had I read all three plays, I would have been more invested in finishing the movie.
So first, just some thoughts about the movie, then I'll move on to final thoughts on the play.
Chimes at Midnight.
As I watched the last half of the half of the movie that focuses on Part 1 of the play, I came to the realization that I pitied Hotspur more, mostly because he was so likeable and jovial. I didn't get this as much in the play, and so I mentioned this to my mom. She mentioned that the real-life Harry Percy was sort of like the "sweetheart" of England; he was the King's go-to man, and everyone adored him. So I looked up some history (wiki style) about the real-life Harry and found that he really did seem to be loved by many. Even King Henry IV was said to have cried at finding Hotspur to be dead. Which then leads to how he died, which, unlike the play, was not by the hand of Prince Hal, although it was during the same battle, as far as I can tell. Also, in the play Hotspur and Hal are supposed to be more of peers, when historically Hal was only sixteen when Hotspur rebelled against Henry IV, and when he died. Now all this real historical background led me to the sources at the back of our book. I know I should've checked it out earlier, but I didn't, so...
Anyway, wiki led me to a source that is not mentioned in our book, but it seems like sound evidence? But that source is said to have come from Hotspur's squire, a John Harding, who wrote about the Percy family and about the rebellion against King Henry IV. The authentication of this source led me to a genealogy site where Hotspur's descendants keep it updated. Here is the link, if you so desire. It's pretty cool. I would never have thought of checking on the ancestry of some of the historical figures of Shakespeare's plays!
Well, I sort of got of track with that, so let me continue on to my final words on the play version of Henry IV.
Okay, so I came across an article titled "Shakespeare's best history plays," and I actually found it to be pretty interesting. In brief, what I found to be most interesting was that the article says that Henry IV, Part 1 could have been the most widely produced play during Shakespeare's time. I wondered why it might have had such a wide following back then when now there are very few productions of it. Perhaps it is because the play is the epitome of a prodigal son returning. I can only assume that that was a popular theme at the time, so I have a few ideas on why that theme might not be so popular with our society now.
In literature, media, films, tv, the heroes and heroines are the anti-hero. Our society is bombarded with the idea that it's okay to do drugs, be immoral, and what have you, because even with those flaws you can still be the protagonist. It's as if our society doesn't want to see the protagonist to get out of a slump, because maybe it proves that no matter how imperfect you are, you can still do anything. But I think that it would be more impressive to see the protagonists of our modern literature to follow the path of the hero's journey, where they make mistakes and better themselves to reach the ultimate boon. But now, our society has made it so simple and we don't expect people to progress and become their better selves. So that's my very simple idea of why Henry IV isn't very known in our day. I'm sure there is more psychology on the matter, and I'm just blabbering on about my own ideas, but for now, that's what I have.
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